Update-Two things happened that usually don't. 1)I was right. 2)I read through the Grammy nominees. In the review below I pleaded for the packaging Grammy for this set and my prayers were answered. Good Luck Numero and congrats on your first nomination. Hmm, I thought I didn't care about the Grammys anymore.
Hardcore blues fans might bristle at some of the tracks (available only on a 2 LP set) that accompany the 128 page, 12" x 12" book that is the centerpiece of the Numero Group's latest, Grammy-worthy, act of music archiving, Light: On The South Side. Those folks would be missing the point. These funky Blues records by local Chicago artists are not Chess Records or Alligator Records, nor are they the prototype for the next British invasion. What they are is a document (called Pepper's Jukebox) that pulls together the music "grown" African-American men and women were listening and dancing to in the south side blues clubs of mid-to-late 70's Chicago.
The Same One-Little Mack Simmons
These clubs, like Pepper's Hideout, The Patio Lounge, The Checkerboard Lounge and Perv's House, were the last strongholds of the south side's club scene. These were the live music venues that, through the electric urban blues, birthed the sound that defined the post-Beatles Rock era. The late '70s, though, were not kind to these clubs, as a combination of urban decay, north side blues clubs, the decline of music in schools, disco, and funk ate away at the customer and performer base. As these clubs faded away they featured music that would become known as "down home" blues. Labels like Malaco would take these veteran artists and their soulful, funky sound and continue to sell it to African-Americans in the South and Northern enclaves like Chicago almost completely under the radar of the burgeoning worldwide (and mostly white) blues market.
Women's Lib - Lucille Spann
Detroit Junior-Young Blood
This Is My Prayer-Lady Margo
As Nick Hornby says (yeah, Numero doesn't play around, they got Mr. Hornby to write an essay about this release), "This is a special book, about one tiny corner of the world over a handful of evenings a long time ago; but that tiny corner of the world has, for decades now, meant a great deal to an awful lot of people scattered all over the world." So take it from Mr. Hornby, Numero 33 is a must have. Light:On The South Side is much more than a book of photos or a reissue CD.
In their short history of around 50 releases, Numero has set a very high standard and displayed an artistic flair that is pretty much unmatched in the record releasing world. I thought Number 26, Local Customs: Downriver Revival, could not be topped, and I said, "The music and images contained on these discs are more than worthy, but between the lines and frames lie deeper truths about the deterioration of the middle class, the African-American experience, and the tenuous state of the American dream. What was so strong, now seems so fragile. It's not too often a reissue package can bring you there."
Well, they did it again.
Bonus Beats and Pix
Brassai in 20's Paris
Robert Frank in 50's America
Jamel Shabazz in early 80's New York
Michael L. Abramson from the end of a Blues era, Light:On The South Side
I Learned My Lesson-Willie Davis